Alas, Poor Ted, We Hardly Knew Ye!

This first appeared on Nonsportsmanlike Conduct!: The sports blog for people who love sports but hate sports blogs.
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Gisele says: This just in: The people who every year at Christmas have helped little kids by tracking Santa on radar have agreed to come to the nations’ aid by tracking Brett Favre’s mind. Go to FavresMindWatch.com for an up-to-the-minute live radar tracking of where Brett Favre’s mind is at these days! Why should Mike McCarthy be the only one to know where Brett’s mind is?

You can watch the Superbowl in Miami on February 7, 2010. Don’t count on Packers’ GM Ted Thompson to be there. The 2009-2010 NFL regular season ends around the beginning of January, 2010, and Ted Thompson’s career ends shortly thereafter.

So let’s make an Official NC! Prediction: Ted Thompson will be let go by the Green Bay Packers on January 9, 2010 (I’ve picked that day because it’s my birthday, so I can have cake and be right about this at the same time.)

That’s what’s going to happen as a result of Thompson and Coach Mike McCarthy not understanding that football is a business and the fans are the customers.

I don’t care if Brett Favre is upset; I don’t care if Mike McCarthy and Ted Thompson have moved on. I don’t care if the locker room has it’s nose out of joint or about any of the other 1 zillion factors mentioned by coaches, reporters, players, and fans. Here’s the two questions the Packers’ GM should have been asking himself about whether Brett Favre should come back:

1. Will he make our football team better?
And
2. Do the fans want him to play?

Then, Ted Thompson should have ignored whatever the answer was to the first question and focused on the second, because that’s what’s really at stake here.

To get one thing out of the way: It is incredibly unlikely that the Packers will win the Superbowl this year, regardless of who their quarterback is. The NFL is set up that way. It’s predesigned to make it nearly impossible to stay successful (unless you cheat.) So “Will he make our football team better” is an irrelevant question. The answer is yes, and Thompson as well as Coach Mike McCarthy know it; that’s why they won’t allow an open competition for the starting QB position — because Brett would beat out The Anointed One Aaron Rodgers.

Despite the answer to question 1 being yes, it’s irrelevant because football is a business and Thompson’s job is to sell the product to the fans. The “product” is the team, and Thompson’s job is to give the fans a team they will support and like and watch on TV, buy tickets to the stadium, and buy merchandise.

That’s why Ted Thompson will be fired on January 9, 2010; he thinks his job is to put a winning team on the field and win Superbowls. It’s not. His job is to sell stuff to people that like the Packers. The Green Bay Packers are not here to win Superbowls and beat the Bears. They are here to make money for their investors, and they make money for their investors by selling tickets and selling Brett Favre jerseys and having people watch their games on TV.

NFL teams earn money by sharing TV revenues equally, and by pocketing the money they make for tickets and by pocketing money they make selling things through their pro shop. The team doesn’t get paid anything for winning the Superbowl.

Winning tends to lead to extra merchandise sales, which is why owners (those stockholders) like winning. Winning leads to more Sunday and Monday night football appearances and 3 p.m. games on Sundays, which means more people see the team, which means more people buy jerseys and sweatshirts, which is why owners (those stockholders) like winning.

Winning is important because it means money; winning alone is not important at all. Ask the owner of the LA Clippers, whose team loses, so far as I can tell, every game they play. But he’s making money, so they just keep on keepin’ on. Or ask former UW Basketball Coach Dick Bennett, whose coaching style and offense were boring. So boring that he repeatedly got them deep into the NCAA Tournament and won lots and lots of games — but so boring that fans hated it because UW Basketball games were low scoring, defensive affairs. And Dick Bennett was shown the door despite his excellent record. Winning, without money and fans, is completely unimportant in the front offices of the sports world.

Ted Thompson, bound and determined to build a championship team that will retain the Lombardi trophy for all time, is a good GM… if you like winning. He’s good at picking talent and usually is good at managing that talent– (notwithstanding his inexplicable decision to let Mike McCarthy handle telling the press yesterday that Brett wasn’t coming back. Ted, GMs handle that conference; you just let the coach spend a while insulting a player, and coaches don’t insult players. They stick up for them. You should have had the conference, so that Mike McCarthy could publicly say “We like all our players and love Brett and are sorry he couldn’t work it out.” Right now, probably 1/2 the players in the locker room hate your coach and dislike The Anointed One.)– but he’s awful at the business end of this business, because he’s putting a product on the shelves that the people don’t want.

Let me say this: I like The Anointed One, Aaron Rodgers (who The Boy calls A-Rodg). I drafted him on my fantasy team and am hopeful that he’ll be good. But I also like Brett Favre, and right now, I like Brett better. He’s more fun to watch play, and he’s more fun to talk about. And a lot of fans feel exactly the way I do; not just in Green Bay, but across America. That is, across TV-Watching, Jersey-Buying, Ticket-Holding, Money-Spending America. Those money-holding fans were ready to live with The Anointed One, A-Rodg, but then they heard they could have Brett back, and they want him back.

Ted Thompson heard that and said “No.” That decision is going to have repercussions, because Ted Thompson is trying to force the fans to buy something they don’t want, and they’re not going to do it. It’ll begin with the camera crews tracking Favre through Bucs’ training camp, and will continue on through however the season goes this year and next, but it’ll happen: Interest in the Green Bay Packers will drop off, merchandise sales will slow, and the Packers’ bottom line will sag… and Ted Thompson will take a front office job with another team beginning in the summer of 2010.

The Anointed One, A-Rodg, is bran flakes. He’s good for you. He’ll make you healthier. He’s boring, but you’ll get used to it eventually and won’t remember what life was like without your morning bowl of bran.

Favre, though, is Sugar Bomb Cereal: A couple of spoonfuls and you’ll go into cardiac arrest, but what a way to go!

Ted Thompson, people always want Sugar Bombs. No matter how much you try to force them to eat bran flakes, they’ll keep going back to Sugar Bombs. So please, build the Packers a good team, and good luck in your next job.

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Is Paris’ Time Over? A Closer Look At… The Best Gossiple.

You may recall that I coined the word “gossiple” to describe those people who are the subject of lots of coverage, but who don’t really do anything worth ‘celebrating,’ and so therefore aren’t “celebrities.”

People like Paris Hilton, who I named “The Best Gossiple” nearly two years ago.
I picked Paris as “The Best Gossiple” for four reasons: She had nearly overtaken Paris the city as the number one result when searching for “Paris.” She was on her way up, at the time — she’d released a single and been in a movie. She never got any sympathy, and she was the center of the “gossiple” universe — the link between disparate groups of Gossiples like Lindsay Lohan and P. Diddy and all those other people who never seem to do anything except get talked about.
That was then; this is now. Two years later, Paris hasn’t done anything worth talking about. Googling “Paris” now shows that she’s sixth in the rankings. She’s fallen!
So I’m considering: Is Paris Still The Best Gossiple? I’ve revoked nominations before. Could it be time to revoke Paris’ status and name someone new?
I’ve posted a poll over to the left here; weigh in on it!

Go to The Best Of Everything and Vote on the Poll!

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Come on in, Pope! The Best Part of Breakfast Cereal.

The Best Of Everything: Our Opinions Are Righter Than Yours!” welcomes reader submissions, too — because they need a day off! This appeared there first:
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America has achieved great things: Christopher Walken, faking the moon landing, the invention of that turnstile thing at amusement parks so that we’re spared the awfulness of not knowing how many people visited that day… but there is still a long way to go in one area, and that area is making sure that I can have a bag of snacks made up entirely of the marshmallows from cereal.

Not the cereal, mind you, just the marshmallows: Those crispy little marshmallows that are supposed to be shaped like ghosts or moons or just marshmallows, but nobody cares anyway because we’re all just eating around the Alpha-Bits to get to the Cereal Marshmallows, which are The Best Part of Breakfast Cereal.

Despite that, despite the fact that everybody in the entire world is just picking around in the bowl trying for that elusive all-marshmallow spoonful, or at least hoping that there’s not too many Boo-Berries in with this mouthful of marshmallows, Big Cereal continues to frustrate the public by not putting in more marshmallows and not selling them separately.

I finally decided that I’d just go ahead and try to make my own cereal marshmallows, using time-tested scientific principals like “Buying a bag of marshmallows.” But I’m no food scientist, so my ideas really ended there (I’m more of a theory guy, after all) and the best I could come up with was to leave the marshmallows in my cupboard, slightly open, for a couple of months and see what happens.

What happens is:

A. They don’t spoil; that’s kind of freaky, but
B. They also don’t get crispy, which is disappointing.

I used the stale marshmallows to make some Rice Krispie bars Saturday, which is when I learned the third thing that happens, which is:

C. They don’t melt fully and leave big blobs of marshmallows in your bars, which is
D. Not a bad thing.

So that’s where my experimentation has left me: I’ve got some Rice Krispie bars, but I still don’t have cereal marshmallows that I can eat without having to pick out the cereal, and why don’t I have that? They made Cap’n Crunch Crunch Berries once with all berries (which is just wrong; it’s the Cap’n Crunch that makes the cereal good in the first place; I always ate around the berries, too) and they’ve started putting the marshmallows into all sorts of cereals where they didn’t used to have them, so where’s my “Marshmallow Cereal?” Why can’t they make, say “Lucky Charms” with only the Charms and no Luckys?

They could even sell them separately, little bags of marshmallows hanging in the cereal aisle to be sprinkled on the cereal as you eat them — that way, I could make my own cereal with marshmallows, if I chose, like “Wheaties With Marshmallows” (I could pretend the marshmallows were little Olympic Gold Medals.) They would be a perfect compliment to the little bags of cereal dust I’ve advocated before.

It’s not as though I’m out in left field on this; according to one website which I found while trying to locate pictures to sprinkle through this entry, like marshmallows in cereal (ah, simile, the lazy writer’s best friend!), marshmallows are actually candy. Of course, that website has to go and wreck it by also saying that marshmallows are “mucilaginous,” which makes them sound gross. Look, science, making up velociraptors is one thing – but don’t you try to take down marshmallows by using disgusting words to describe them. Why not say they’re Delici-aginous? What’s wrong with that word, aside from the fact that I just made it up?

That same site also tells you how to make your own marshmallows, but… why? They cost about a buck for a bag of more than you can comfortably eat in one sitting (trust me on that one), and who do you think you’re going to impress with homemade marshmallows? Hi, Pope, come on in! I’ve got some homemade marshmallows here!

I would think that there would be a serious amount of money to be made just bagging up those little cereal marshmallows and putting them in the snack aisle, the way they’re doing with so many other things that did not used to be snacks, like Cheerios. I, at least, would buy them, so there’s a built-in market already.

That kind of thing– a bag of tiny crispy cereal marshmallows — would be a perfect movie snack, too. Movie snacks already feature things that you can’t really get anywhere else, or at least never would. Does anyone buy JujuBees outside of a movie theater?

As a side note: All my life, I called all those kinds of candies “JujuBees.” Then I got married and
was told by Sweetie that JujuBees are a particular kind of Juju candy, the “bees” that taste like licorice. She claimed that the other kinds are all Jujyfruits, not JujuBees.” Sweetie’s a detail person; I try to see the big picture, which is this: Jujubees are a terrible candy.

So I live in a society where people are free to buy Jujubees and eat them despite the fact that they taste like candle wax and stick to your teeth, but I can’t kick back to watch TV with a bowl made up entirely of Cereal Marshmallows, The Best Part of Breakfast Cereal. That seems wrong, and it’s not my fault; I’m out there trying (see my experiment, above.) Plus, I even have a name for them already: CrunchMallows. So I’ve done, like 90% of the work. Now it’s the rest of your turn. I’ll expect results by next week.

If you like cereal as much as The Best of Everything loves it, check out The Best Breakfast Cereal, or go find out who is The Best Breakfast Cereal Spokesman.

Click here to see all the other topics I’ve ever discussed!

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But for livin’ I was born!

Don’t your Babies! or Pets! deserve to be poetry-ified? Send Babies! Babies! Pets! Pets! your pictures; we’ll post ‘em, put a poem with ‘em, and you might win a t-shirt!
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I went down to the river,
I set down on the bank.
I tried to think but couldn’t,
So I jumped in and sank.

But it was Cold in that water! It was cold!

And thought I would jump down.
I stood there and I cried!
If it hadn’t a-been so high
I might’ve jumped and died.

I came up once and hollered!
I came up twice and cried!
If that water hadn’t a-been so cold
I might’ve sunk and died.

I took the elevator
Sixteen floors above the ground.
I thought about my baby

I stood there and I hollered!

 

But it was High up there! It was high!

So since I’m still here livin’,
I guess I will live on.
I could’ve died for love–

But for livin’ I was born
 

 



“Life Is Fine,” Langston Hughes.

August is Poetry Month!

Cradle Song.

“Good And Bad Children.”

Poem of The Child That Went Forth, and Always Goes Forth, Forever and Forever

I love these babies:

Children tormented by demons. An old man accidentally killing people. Witches who live hundreds of years and escape from Hell repeatedly. An astronaut drifting through space… these and other great stories can be found only on AfterDark: The scariest things, you CAN’T imagine.

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Famished.

AfterDark published horror stories in serial format. Today begins the first ever sequel; Temporary Anne returns in “Famished.”:
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I am afraid.

I cannot believe the size of the fangs.

The claws, likewise, are outsized, immensely outsized. They are as long as scythes and dripping with … fluid. I cannot say that it is blood. I don’t want it to be anything but blood but then again I do not want it to be blood, either.

I know it is not my blood because I cannot feel a pulse in my veins except on those ever-more-rare occasions when I can eat. I crave, more and more, the flesh that has protected me and sustained me these many years but it is harder and harder to get it because the more time that passes the more people can see me.

The more, too, the minions can see me, like this one that is moving down the alley now towards me, all fangs and claws. You would not see it if you looked, would not see it if it did not want you to see it, because you are not almost in Hell.

I am.

I am almost there and I am struggling now every second of every day to not go there. It is harder and harder because the minions are now searching for me actively, I am sure of it.

This thing before me has 7 legs.

What kind of creature has 7 legs?

This thing before me had no arms, but has two mouths slavering with fangs and a tongue that appears to be spiked with thorns.

This things before me has no eyes. It has no ears. It has no nose. It is legs and mouths, fangs and tongues and claws.

It is finding its way, disgustingly enough, by licking the ground, licking the wall, licking the very air. Finding its way to me.

Like it, you know me.

Unlike it, you fear me.

I am Temporary Anne. You know me. And now you know: I am afraid.

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That’s It! The Best Television Detective

The Best Of Everything ranks The Best (of Everything) while telling you what to think. And Our Opinions Are Righter Than Yours.: This appeared there yesterday:
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Detectives, television detectives at least, have the easiest jobs in the world. It may look difficult to spend all your time combing through a beach with a tiny rake to see if someone dropped a speck of skin (as CSI investigators do), or pinning drug dealers up against a chain-link fence on a cold day to question them (as every Law & Order detective does) or pretending that you’re all artsy by having a drunk God character when really you’re just being confrontational and saying nothing at all about anything (a la “Saving Grace,” a show so devoid of viewers that they now require viewers of The Closer to sit through portions of Saving Grace to see scenes from next week’s episode of The Closer. If you have to bribe viewers, is your show really any good?)

(As a side note, there was actually a scene on one of those CSI shows in which the investigators actually did have to rope off a section of beach and then sift through sand one cubic millimeter at a time looking for something or other, and I had to stop watching because the very thought of doing that for a driving almost drove me completely insane.)

All those things seem hard, but they’re just make-work for television detectives until the breakthrough comes, about 40 minutes into the investigation. The breakthrough, on every detective show I’ve ever watched, happens exactly the same way: The detective (police or independent investigator) is doing something completely unrelated to the investigation — playing ping pong or looking down Cutty’s blouse or hiding a cat — and someone says something that solves the crime.

Say, for example, the detective is investigating a murder involving a guy who was parachuting out of a plane and died because his parachute failed to open in time and he crashed to his death, and the detective investigating it is baffled because the parachute worked perfectly and the jump was done at the correct height and everyone else’s parachute in the group opened up and the guy was a longtime parachutist who in fact worked as an instructor and had won a gold medal at the 2002 Parachute X-Games in Vancouver… leading the detective’s friends and police chief to conclude that this was just some sort of freak accident but the detective is convinced it was murder.

Say that’s the plot of the detective show you’re watching. (Note: I just now made that up and it’s my idea, so if you’re interested in producing that show, better call me because like Richard Pryor’s wife in the movie “The Toy,” I’m very litigious.) How in the world is the detective going to solve that crime?

Things look lost… until the detective and his/her police chief friend are having lunch one day at the local bagel shop, and the cop friend asks for a diet soda, and they have this exchange:

Detective: Diet soda? You don’t drink diet soda.

Cop: I have to lose some weight. The other day, I sat on the couch and broke a spring and we have to have it reupholstered; it couldn’t bear my weight anymore.

Detective: (Clearly thinking about the mystery, now): Gained weight… couldn’t bear your weight…

At which point, he/she drops his/her lunch and rushes off, leaving the bewildered chief of police or whoever standing there, while the detective goes to the hangar where the parachutist’s gear was stored, and gets the boots the parachutist wore on the fatal jump, and slices open the soles, and realizes that the soles have been stuffed with lead weights, making the parachutist heavier so he falls faster and his parachute can’t open in time to bear his weight to the ground!

That, readers, is how you write a detective show on TV, and that’s how pretty much every single TV detective solves the crimes they’re trying to solve. It’s not good detective work or fingerprints or being able to use computers magically to ‘enhance’ a picture beyond any conceivable number of pixels to see the reflection of the actual killer in the edge of a Bic lighter. It’s just that offhand comment by a friend or coworker or sassy housekeeper, every time, that solves the crime.

If you ask me, real-life police should take a page from TV detectives and not go around interviewing witnesses; they should do anything but investigate the crime. Go to a theme park. Put on a variety show for the staff. Take up bowling. Whatever they do, someone somewhere will say something (Sorry, we already have a tenor for the opera… wait, tenor… Ten-or… there were more than 10! That’s it!) to solve the crime for them.

Based on that, the only real fair way to rate the television detectives is on how interesting of a person they are to watch while you’re waiting for the big breakthrough to come up. I don’t even bother trying to figure out the mysteries anymore.

Well, that’s not exactly true; I do bother, but I do in fact bother to try to figure them out, but I do it in the most annoying way possible by declaring ever more unlikely suspects to be the actual killers. That guy in the background crossing the street that Lenny just looked at? I think it’s him. That’s because I’ve been trained to expect not just a big breakthrough, but a twist ending, too. So I try to figure out how big the twist could be. I’m waiting for the ultimate twist ending — one in which the detective investigating the murder is actually the murderer but doesn’t know it.

(Note: that, too, is my idea. See the foregoing note re: my litigiousness.)

But writers know that viewers aren’t actually interested in solving the murder; we’re there for the quirks and twists of the detective. We want irascible doctors and feisty Assistant LA Police Chiefs with boyfriends who appear to have been laid off by the FBI because they literally never work anymore. We want humorous fake psychics, or, barring all of that, we at least want a borderline psychotic sex-crimes investigator with a secret crush on his partner. We want, in short, someone to hold our interest until a group of dolphins at Seaworld spells out the answer while the detective is supposed to be having a day off. (Those dolphins… they’re forming the shape of, yes, it’s a popcorn popper! That’s it!)

No detective is better at holding the viewer’s interest until the mystery is solved via the time-honored deus ex machina system than Adrian Monk, The Best Television Detective. Monk has, it seems, every possible quirk that someone could have. Remorse over dead lover? Check. Weird psychological problems? Check. Sassy assistant? Got her. Impossible level of intelligence? Right here.

Watching the show Monk often means that the mystery takes a back seat to the quirkiness, in a good-to-great way. Adrian’s sessions with his shrink, his battles with his arch-enemy Harold Krenshaw, the money troubles he suffers, his family, and his own internal struggle, are all more than sufficient to hold my attention while the ‘mystery’ unfolds.

It’s essential that there be a mystery, though; a show about a guy with OCD and a crushing level of sadness and guilt trying to live his life while on disability leave from the police force would be completely, utterly depressing and quickly canceled. But a show about guy with OCD and a crushing level of sadness and guilt trying to live his life while on disability leave from the police force… solving crimes = Emmy Time — because the mystery distracts us from how sad his life would be otherwise, and also because the mystery-solving lets us feel good about Adrian Monk and his life; even though he’s very very sad, he’s also contributing something positive to the world and that means that we can watch the show and anxiously await the killer’s unraveling instead of reflecting on how lucky we are in our lives and going to give our kids a hug. TV executives don’t want us spending quality time with our families; they want us glued to our TVs through commercials (and hopefully so glued that we’ll watch that crummy Holly Hunter show, which we won’t.)

A mystery alone won’t trap us in our living rooms; but a mystery with a sprinkling of quirk over it has us pinned to that La-Z-Boy, watching while Monk reorganizes his books and mopes about Trudy until, 43 minutes after we start, Natalie’s daughter mentions that she was crossing the street that day and saw a pigeon eating a french fry, and Monk gets that look and runs off to the local fast food restaurant, buys a hundred dollars worth of french fries, spreads them on the table, sorts them out, picks one up and runs to a computer, where he goes to the e-Bay website and finds another french fry, nearly identical to the one he’s holding, he realizes that the killer committed the murder because the killer makes his living auctioning french fries that look like presidents, and the victim had just come up with a machine that makes all french fries look like presidents.

That, too, is my idea. Remember: very litigious. So until you see all my detective shows on TV, go watch Adrian Monk, The Best Television Detective.

Click here to see all the other topics I’ve ever discussed!

The Best Of Everything also picked The Best Boyfriend on Friends, and liked Land of the Lost long before Diablo Cody needed something, anything, to be ironic about.

Help Mateo and McHale! The Wonder Twins are medical miracles, but they can’t do everything. Find out more about them, and how to help them with their medical bills, by clicking this link.

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Make Favre All-Time QB.

Nonsportsmanlike Conduct! is AlwaysMostlyRight!
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Gisele:
Nonsportsmanlike Conduct!’s
lucky charm.
Yesterday, there were two earth-shattering events — an earthquake in California, which marginally affected some people in a very slight way… and Brett Favre officially faxing a letter to NFL headquarters to unretire, which affected every single person in the entire world right down to the very core of their being. (Note: I’m judging the effect these items of news had by comparing the amount of coverage they got. Where I live, the top three stories on the news yesterday were 1. A possible bomb detonated on Capitol Square in our city, 2. Brett Favre unretires, and 3. Earthquake.)

Now, Commissioner Roger “I Don’t See Color” Goodell, who steadfastly refuses to get involved in working out disputes between Chad Johnson and his team, is going to step in and work out what to do about the dispute between Brett Favre and his team.

Can NFL fans/Brett Favre’s loyal supporters (a group that includes everyone in the entire world except for Ted Thompson, who doesn’t have time to like Brett Favre because he’s too busy insulting Ryan Grant) trust Roger Goodell to make the right decision on this matter of utmost importance to football fans?

We all know the answer to that one: No.
Luckily for NFL fans/Brett Favre’s loyal supporters/humanity, Nonsportsmanlike Conduct! as usual, has the answer:
Make Favre the All-Time QB for the entire league.
“All-Time QB” is a time-honored traditional position going all the way back to when I was a kid and we’d play football with an odd number of people; to keep the teams even, we would take the best athlete (usually Marty Meyers) and make him the all-time quarterback for both teams; he would take the snap but couldn’t run with the ball and we couldn’t tackle him.
The “All-Time QB” rule is perfect for Favre and the NFL. The teams could hold a lottery to determine the order, and then each team gets Favre for 1/2 a game throughout the season; he might even switch teams at halftime, if it works out.
It’s perfect for Favre, because he can’t be tackled, so he keeps that Longest Starts Streak going; and it means that he gets to play for every team — ending his tiff with the Packers over where he’s going to end up. Plus, don’t all NFL fans/Brett Favre Lovers have the right to have Number 4 play for their team? I’m pretty sure that’s in the Constitution; our Founding Fathers were pretty smart.
It’s perfect for the NFL, because putting Favre on every roster enhances competitive balance. He’s the number one reason the Packers have been successful for so long, so he could only help other teams, too.
And to those who say How could Favre possibly learn the playbook for 32 different NFL teams in a single season, I say to you: You don’t know Brett Favre! Favre doesn’t need a playbook; he’s a gunslinger, and improviser! He’ll scramble and run and shovel pass and put those arms up in the touchdown symbol and fans all across America… no, all across the world will get to thrill to him being around again.
He’s already the All-Time Greatest Quarterback Ever. Let’s just make it official, Roger Dodger: Make Favre All-Time QB.
I not only fixed the NFL’s “Favre Problem,” but I also in the past have fixed basketball and I fixed baseball, too.


Children tormented by demons. An old man accidentally killing people. Witches who live hundreds of years and escape from Hell repeatedly. An astronaut drifting through space… these and other great stories can be found only on AfterDark: The scariest things, you CAN’T imagine.

Colon

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The Child Who Went Forth…

August is poetry month on Babies! Babies! Pets! Pets!. Don’t think of this as starting early; just assume that today is the negative-third of August.


Poem of The Child That Went Forth, and Always Goes Forth, Forever and Forever

THERE was a child went forth every day,
And the first object he looked upon and re-
ceived with wonder, pity, love, or dread,
that object he became,

And that object became part of him for the day,
or a certain part of the day, or for many
years, or stretching cycles of years.

The early lilacs became part of this child,
And grass, and white and red morning-glories, and
white and red clover, and the song of the
phœbe-bird,

And the March-born lambs, and the sow’s pink-
faint litter, and the mare’s foal, and the cow’s
calf, and the noisy brood of the barn-yard or
by the mire of the pond-side, and the fish
suspending themselves so curiously below
there, and the beautiful curious liquid, and the
water-plants with their graceful flat heads —
all became part of him.

The field-sprouts of April and May became part
of him—winter-grain sprouts, and those of
the light-yellow corn, and of the esculent
roots of the garden,

And the apple-trees covered with blossoms, and
the fruit afterward, and wood-berries, and the
commonest weeds by the road,

And the old drunkard staggering home from the
out-house of the tavern whence he had lately
risen,

And the school-mistress that passed on her way to
the school, and the friendly boys that passed,
and the quarrelsome boys, and the tidy and
fresh-cheeked girls, and the bare-foot negro
boy and girl,

And all the changes of city and country, wherever
he went.

His own parents—he that had propelled the
father-stuff at night and fathered him, and
she that conceived him in her womb and
birthed him—they gave this child more of
themselves than that,

They gave him afterward every day—they and
of them became part of him.

The mother at home, quietly placing the dishes on
the supper-table,

The mother with mild words, clean her cap and
gown, a wholesome odor falling off her per-
son and clothes as she walks by,

The father, strong, self-sufficient, manly, mean,
angered, unjust,

The blow, the quick loud word, the tight bargain,
the crafty lure,

The family usages, the language, the company, the
furniture—the yearning and swelling heart,

Affection that will not be gainsayed—the sense
of what is real—the thought if, after all, it
should prove unreal,

The doubts of day-time and the doubts of night-
time, the curious whether and how,

Whether that which appears so is so, or is it all
flashes and specks?

Men and women crowding fast in the streets—if
they are not flashes and specks what are
they?

The streets themselves, and the facades of houses,
the goods in the windows,

Vehicles, teams, the tiered wharves, the huge
crossing at the ferries,

The village on the highland seen from afar at sun-
set, the river between,

Shadows, aureola and mist, light falling on roofs
and gables of white or brown, three miles off,

The schooner near-by sleepily dropping down the
tide, the little boat slack-towed astern,

The hurrying tumbling waves, quick-broken crests,
slapping,

The strata of colored clouds, the long bar of ma-
roon-tint away solitary by itself, the spread
of purity it lies motionless in,

The horizon’s edge, the flying sea-crow, the fra-
grance of salt-marsh and shore-mud;

These became part of that child who went forth
every day, who now goes, and will always
go forth every day,

And these become of him or her that peruses
them now.

Walt Whitman.

____________________________________________________


Do you like sports? Do you like Gisele Bundchen? Do you hate sports blogs, though? Then read Nonsportsmanlike Conduct! — the sports blog for people who love sports but hate sports blogs.

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What’s a “Gaby?”

Want to see your Babies! and Pets! on the Internet, but can’t figure out how? Send them to Babies! Babies! Pets! Pets!:
**************************

CHILDREN, you are very little,
And your bones are very brittle;
If you would grow great and stately,
You must try to walk sedately.

You must still be bright and quiet,
And content with simple diet;
And remain, through all bewild’ring,
Innocent and honest children.

Happy hearts and happy faces,
Happy play in grassy places—
That was how, in ancient ages,
Children grew to kings and sages.

But the unkind and the unruly,
And the sort who eat unduly,
They must never hope for glory—
Theirs is quite a different story!

Cruel children, crying babies,
All grow up as geese and gabies,
Hated, as their age increases,
By their nephews and their nieces.


Good And Bad Children,” Robert Louis Stevenson.

Army:

Thinking The Lions is the only website where you can find out why Velociraptors are fake, learn how to play “Cloverfield,” and otherwise follow the hilarious adventures of a guy with a lot of kids, a lot of love of 70s music, a lot of time to watch Battlestar Galactica, and a very patient wife. Life, only funnier.

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You can have my recipe for genius, but not for my incredible home-made pizza.

Thomas Edison, I think, said that genius is 99% inspiration and 1% perspiration. Or he said it was exactly the opposite, maybe, that it was 1% inspiration and 99% perspiration. Or maybe it was Thomas Jefferson that said it.

Either way, he was wrong, or both of them were wrong. Genius is 99% inspiration, and 1% perspiration, and roughly 20% lack of sleep, and then another 17% or so wet Babies!, and also genius is a willingness to simply ignore math rules like “there’s only 100% of something.”

I know what genius is, because I am one, and I know the prescription for genius because I realized that I had all those ingredients when I yet again this week proved to myself that I am a genius by solving The Monty Hall problem while also giving the boys a bath. Now, that is multitasking.

If you are not some sort of uber-nerd, you don’t know what the “Monty Hall” problem is, so I’ll take a moment to explain. Monty Hall was a game-show host in the 70s, when everything was funny to Will Ferrell and game shows required even less intelligence than they do now. I never watched Monty Hall’s show, “Let’s Make a Deal,” but I’ve come to gather that it involved making deals and opening doors. Apparently, at the end, Monty would give a contestant a choice between three doors; behind one was a great prize and behind the other two were… I don’t know. Junk, or the board game home version of “Let’s Make a Deal” or old copies of “Field & Stream” magazine.

The person would pick a door of the three; Monty would then open one of the two non-chosen doors, showing that it was not a winner, and then offer the contestant a chance to switch doors.

And that’s where “The Monty Hall Problem” comes in, because a lot of people who think they are smart and who, in reality, are not smart, have weighed in on the Monty Hall problem and all of those people who think they are smart but who, in reality, are not smart, say the same thing:

Switch doors.

They universally tell you to switch doors. Some woman named “Marilyn Vos Savant,” who manages to sound smarmy in writing says to switch doors. “The Straight Dope” says to switch doors. Even math professors tell you you have to switch doors. Switch doors, they all but scream, because statistically and mathematically speaking you’ll win.

Here’s why they tell you to switch doors: You have three doors at the start, they say, so your odds of winning are 1-in-3. You choose, say, door 1. Monty opens door 2, and asks if you want to switch.

Now, all those people who think they are smart, but who in reality are not smart, betray their Achilles’ heel (i.e., not-smartness) and yell: Switch because now your odds are 1 in 2! Switch you fool, because my name is “vos Savant” which almost seems to mean “smart.”

That is, they say that when Monty opens door two, he makes the odds of winning 1-in-2, when before they were 1-in-3, so they say you’d be a sucker to not switch because your odds are so much better now than they were a second before.

Well, those people are morons who could not think their way out of a pile of wet noodles, and they demonstrate, with that advice, the difference between “book learning” and “genius.” I have both and I have solved the problem, and I did it through a combination of sloganeering and making my subconscious mind do most of the work.

I’m a big believer in subcontracting my thinking out. Why should my conscious mind do all the work when my subconscious sits around being 95% of my brain and never being used? I’ve heard all my life that if we could fully use our brains, we could levitate and see the future and stuff. If my subconscious mind is going to sit around knowing how to levitate, so that I could float up to the ceiling and sit there in the dark and then when The Boy came in, I could yell and totally scare him, if it’s going to have that kind of information and not share it with my conscious mind, well, then, I’m going to put it to work and let my conscious mind keep coming up with interesting dinner conversation like “Who do you think would be a more terrible mother, Paris Hilton or Amy Winehouse?”

That’s what I did this week: pose that question to Sweetie, and operate on autopilot with my subconscious running things. I had to put my subconscious in charge because I haven’t really slept in four days.

Tuesday, I was woken up at 1 and 3 and 5 by Mr F, who has re-adopted “Monster Voice.” He’s almost two years old, and has not really shown any interest yet in (a) sleeping through the night or (b) talking using words. Instead, he uses what we call “Monster Voice,” which is a loud, roaring type of scream to indicate that he’s hungry, or full, or happy, or mad, or wants you to leave him alone, or wants you to pay attention to him, or that he exists. (He’s combined “Monster Voice” with “No Bones,” the result being that in public sometimes, he will let out a hideous roar as he collapses into a puddle and people will either flee or give us the kind of looks intended to convey a serious disapproval of my parenting techniques. It doesn’t help that I deal with the situation by calmly saying “Have bones, please” while trying to ignore people. When that doesn’t work, I simply get over it by noting that their kids are almost always ugly whereas mine are perfect.)

So I was tired going into Wednesday night, when Sweetie got a kidney stone in the middle of the night and we spent from 2:30 to 5:30 in the hospital, where I alternated between reading Newsweek, shivering in the air conditioning, and damning my soul to eternal torment by secretly resenting the people being brought in by ambulance.

Sweetie mostly gets kidney stones at night. Sweetie mostly gets everything at night; if there is a condition somewhere in her or elsewhere that will require my attention, Sweetie notices it at 1 of 2 times: the middle of the night, or 8:15 a.m. when I’ve just arrived at work. I’m routinely awakened by comments like “I have a kidney stone” or “I can’t breathe” or “I think the basement is flooding,” and while I get up and deal with them because I’m a good husband, I also have to wonder why it is that medical emergencies can’t happen at about 6:15, just after we’ve finished dinner, so that we could take her to the hospital and be home in time for me to watch my TV shows and get a good night’s sleep?

Sweetie gets me back for my attitude, though, because in addition to after-midnight-medical emergencies, she also can spot spiders, but only in the dark and only when I’m half asleep. She knows that I can’t stand spiders and that I have a long-running nightmare in which spiders drop into my mouth while I sleep, and I, for the sake of our marriage, assume that she is not taking unfair advantage of that when I am laying down in bed and nearly asleep, and out of the blue, in pitch black, Sweetie will say, all innocence, “Is that a spider?” and then I have to get up and track it down and then go get something to kill it; and I can’t just get, say, toilet paper, because those don’t do the job. Try to kill a spider with toilet paper, and it just laughs and drops into your face and then lays eggs in your eye. Instead, I have to find a heavy magazine or book or hammer. I tell Sweetie “Keep your eye on it and I’ll get something to kill it with.” Then I go down to the garage and because we don’t have a power sander, I bring back a giant high-top sneaker and say “Where’d it go?” and Sweetie says “I don’t know, I lost it,” and then goes back to watching Law & Order reruns while I try to watch everywhere at once and not sleep.

The alternative, though, is the 8:15 a.m. call, when she calls me at the office and announces that there is mold in the basement, or that one of the cats is sick, or that the garage door is not working, or that they’ve parked the car in the street and now can’t get the key to turn in the ignition. After that type of call, I’m more or less useless. If it’s not an absolute emergency requiring me to leave, I’ll stay in the office and think I’m going to get work done, but I don’t. Instead, I spend the day googling things like inexpensive cures for cats or trying to price new carpet for the basement.

By Thursday night, then, I was exhausted, and Sweetie was still recuperating from the kidney stone, so I was in charge of the babies and dinner and everything else, and things were really not working all that well. Mr F and Mr Bunches knew something was up because I was in charge, so they were randomly destroying things, and The Boy, in cleaning up after dinner, appeared to be making more of a mess than had previously existed. I don’t like to watch The Boy clean up; it’s like watching sausage be made — better if you don’t know the process. Sometimes I walk into the kitchen where he’s supposed to be cleaning, and there’s things on the floor and garbage disposal is running and plates and pans and rags are stacked all over - -while he’s over at the computer trying to create a good playlist of songs to clean to. I think, at times, that he makes it messier than it was as a challenge; or, maybe, that by making the kitchen even more messy, he will get credit for doing a less-than-stellar job. If he starts with a slightly-messy kitchen and it finishes slightly-messy, he has to redo it. But start with a kitchen that looks like a frat has been renting out the premises while their own is fumigated, and finish up with a slightly-messy kitchen, and he should pass, right? That’s his plan, I suspect.

The end result of that all was that I was upstairs supervising Mr F and Mr Bunches in their bath, and that, too, was exhausting. They have a kiddie pool in our backyard, and we run the sprinkler for them near their pool, and they love that. Love it so much that they think the bathtub, too, is like a kiddie pool, and so they insist on trying to climb in and out of it and turning the water on and splashing it, and standing up and trying to slide down the slightly-sloped edge of the tub, and they throw their toys and washcloths. I spend their entire bath trying to sit them down, and putting things back into the tub, and getting splashed, and trying to turn the water back off without their noticing it, and yelling over the noise various Dad-ly orders like “Butts on the bottom!,” which is my way of saying sit down; they respond to that by throwing squirting Cookie Monster toys at me, which is their way of saying You don’t seriously think you’re in control of us, do you?

It was as I watched the water pool on the floor and wondered just how long it would be before the floor rots out and we all go crashing down onto the lower level, landing not far from where The Boy would be sitting creating an even-better cleaning playlist of songs, that this thought flashed to me:

It’s like the Magician’s choice and ‘final answer,’ combined.

That would not mean much to you yet, but it meant a lot to me, because I had solved “The Monty Hall Problem” all out of the blue. “Butts on the bottom!” I said again, getting a toy thrown at me and a dose of Monster Voice, but I had already worked it all out and knew, then, that even if the bathtub did crash through the floor, even if The Boy never finished that playlist or his kitchen chores, I was smarter than all those other would-be smart people combined.

They’re wrong. You don’t switch; switching has absolutely no effect on the outcome whatsoever and does not change your odds at all, and they’re all dumb because of this:

Your odds do not improve from 1-in-3 to 1-in-2; they were ALWAYS 1-in-2.

That is what I realized through a combination of having read silly fantasy books and watching TV and being, generally, smarter than your average bear.

It’s from Robert Lynn Asprin’s “Myth” books — silly (but good) books about a magician named “Skeeve” who has various adventures — that I learned about “magician’s choice.” “Magician’s choice” is making the onlooker choose something without telling them why they’re choosing — giving them the illusion that they’re making a choice and controlling the outcome when they are not at all doing that. Suppose I hold up my hands in fists. In the left is a $10 bill, and in the right is nothing. I tell you that I’ve got a $10 bill in one hand and say “Choose one.” You say “Right,” and I say “Okay, that’s yours. You get nothing, I keep the $10.” Now, suppose instead that you say “Left.” All I do is say “Okay, that’s the one I keep. The right is yours.” You still get nothing, and because I run the game, you were always going to get nothing. I made it look like you were getting a choice but you had no choice. The game is rigged.

That’s the first thing that helped me crack “The Monty Hall Problem” and be smarter than everyone everywhere. The second was “Who Wants To Be A Millionaire,” which I used to love before it broke my heart. Remember how, when people played, they’d say “A” and Regis would say “Final answer?” and they’d have to say “Final answer” or they could switch? That’s pretty important here. Watching TV in general is pretty important, but it’s extra-important that the TV you watch be “Who Wants To Be A Millionaire” if you want to be considered a genius.

I put those two together, and realized that contestants only have the illusion of a 1-in-3 choice at the outset; their choice always 1-in-2 because Monty removes the third choice before you’re done.

A contestant looking at Doors 1, 2 and 3 thinks he has three choices. But he has only because Monty is going to remove one of those choices. So while a contestant think he’s choosing between three doors, he’s only choosing between two doors — and that’s proven because when he’s given a chance to switch, when he has to give his final answer, his choice is between two doors, not three.

A contestant, when looked at this way, makes a preliminary choice — Door 1, say. Monty then removes Door 2 from the equation, and asks the contestant if he wants to switch. At this point, all the “smart” people (who are about as smart as “scientists“) think you should switch, because, they say, your odds have gone up. Your odds on the first “choice,” they say, were 1-in-3; they’re now “1-in-2″ so you should switch. But they’ve missed three important things:

First, if your odds are 1-in-2 now, then either door 1 or door 3 has an equal chance of being right; so to say “switch” is dumb; each has a coin-toss probability of winning. You’re just as likely to win if you stick with Door 1 as if you switch to Door 3.

But second, and more importantly, your odds haven’t gone up at all; they were always one in two because Monty was going to get rid of that third door all along; you never had a chance to pick it.

Picture this: I offer to give you $10 if you pick a coin toss correctly. You can have “Heads,” or “Tails,” or “Both.” You’re no dummy; you know it can’t be both, so you say “Heads.” I then say “All right, I’ll tell you what. You can’t pick “Both.” Do you want to switch?” Only an idiot — or all those smart people — would say “Switch!” The rest of us, including geniuses like me, recognize that both heads and tails were equally likely all along, and “Both” had no chance of winning. The door that Monty opens is “Both.” It’s the door that never had a chance of winning because Monty was always going to take it away. So you always had only 1-in-2 odds.

But, those would-be smarties say, I didn’t know that when I first chose, so I had only a 1-in-3 chance at the outset. Well that’s… wrong. Because you did not make a choice until after Monty opened Door 2. You told Monty you wanted Door 1 — but you weren’t locked into that yet; it wasn’t your final answer.

So, in “The Monty Hall Problem,” your odds of winning are always 1 in 2 from the start. The third door is there to distract you and make you do dumb things like change doors or listen to Marilyn vos Savant and give you the illusion that you are choosing more than you really are; you’re making one choice between two doors.

And that, my readers and friends, is absolute proof that reading silly fantasy books and giving your Babies! baths is better for you than joining Mensa, and I am the smartest person in the world. And now I’m going to take a nap.


If you liked this, you may also want to read about my recent trip to Orlando — where I learned that my brother takes hurricanes and sharks for granted, and also how long a McGriddle stays fresh in a backpack.

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